Like his previous singles ‘We Can’t Be Friends’ & ‘Treehouse’, 18 year old producer Dream Koala once again brings to life a stirring production built on spiralling instrumentation, filled with tangible emotion and texture. The video features French model Mae Lapres and as it’s title suggests, addresses the topic of date rape. Press play and watch his vision unfold.

A rather serious slice of Soulful House from respected British DJ/producer Danny J Lewis. Across seven minutes of smiley groove and 90s textures, dancefloor stamina is tested with multi-stomping, old school shuffliness and serotonin-geared funk – topped off with a diva in the back. Hella feel-good. Wait till the bass warmth comes in, and it’s like, eff whoever said Summer was over.

Continuing their run of incredible releases this year, London based record label PMR (currently celebrating a #5 chart position with Jessie Ware’s debut album), is also home to the likes of Two Inch Punch, Julio Bashmore and most recently this gentleman, T.Williams. Currently readying the release of his new EP Pain & Love, Williams discharges ‘Moving Fast’ – a full-on, high octane offering that draws heavily on his love for 90′s House/UKG. To the dance.

New visuals from Nottingham based producer Citizen whose been steadily dropping a nice stream of 90′s inspired House over the past few months. ‘Room Service’ is a fabulous 4/4 stomper with seductive vocal loops, intoxicated chord stabs and an infectious undercurrent. Oh, and don’t forget to listen to the song when watching the video…

If ‘Ima Read’ was fierce, this new remix featuring Njena Redd Foxx, Gangsta Boo & Tricky is outright vicious. Reading enemies as casually they would their shopping list, Katz, Foxx and co aim to maim with callous shade – “Ima chop that bitch / Ima slice that bitch / Ima dice that bitch / Ima ice that bitch / I don’t like that bitch”.

Zebra Katz’ new single, along with a slew of remixes (which will also include appearances from Azealia Banks, Mao, Ira G, Cauzeone, Moroka, I Am A Camera, Ripley, Baise Haus, Nikko and Norrit) will be released via Diplo’s Mad Decent imprint Jeffrrees on September 16th.

The Bondax boys offer up some steamy new visuals for their infectious 90′s embraced single ‘Baby I Got That’. Once you’ve dried off, I think it’s important to note how consistently brilliant these guys have been over the past year or so – their sound has and continues to grow in all the right ways, this is definitely among their best work to date.

Shlohmo marks the 11th anniversary of Aaliyah’s passing with an enigmatic remix of her (controversial) posthumous single ‘Enough Said’ featuring Drake. Originally produced by Noah ’40′ Shebib, Shlohmo’s version uses bellowing subs, electronic embellishments and screwed vocals (from both Aaliyah & Drake) to build a dramatic new alternative.

As if How To Dress Well’s ‘Cold Nites’ wasn’t heartbreaking and delicate enough, now producer Koreless (recently inducted into the next RBMA) has applied his own tranquillised grace over it, creating an even more fragile environment. The harmonic plucks barely fill the gaps of air between HTDW’s solemnly rousing vocal, but yet somehow they create a dramatic soundbed all the same. Koreless’ use of restraint here is absolutely compelling. 

We featured a radio rip of Two Inch Punch’s reinvention of Jagged Edge’s ‘What’s It Like’ back in June, but now he’s dropped the shiny official version (finally!). Re-titled ’Brokken’ his production again contorts the foundations of classic millennial R&B but does so with his trademark Electronic disposition. TIP’s a beast at this. Download for free below.

Make sure you grab that Saturn: The Slow Jams EP out now on PMR Records too.

With Jessie advancing like crazy in the mid-week charts and pretty much putting the internet on smash right now, it was only right one of the key figures behind the Devotion project put his spin on olympic anthem ‘Wildest Moments’. Originally produced for max pop grandeur by Kid Harpoon, Dave Okumu’s version takes it a little more left and inward. If you haven’t heard Okumu’s group The Invisible‘s Rispah yet, do the damn thing, it’s one guitar-driven album that will mesmerize this year. His input in helping craft the sound of Devotion, another of the years best, is also worth a round of applause.

Premiered via Dazed Digital where you can read the rest of Ms. Ware’s accompanying interview. Her debut LP is out to buy now, here.